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To add to this, look at how the scales/modes/pentatonics fit around the chord shapes. If you play an A bar chord at the 5th fret for example and start picking the notes out of the chord you’re actually picking notes from the major and pentatonic scales in A. Map out how those scales fit with the chord shapes and you’ll pick up a few other moves that you can easily translate around the neck as the chords change. This video gave me a lot of new ideas in that regard https://youtu.be/w6TV-nF-_hk?si=BvRuCen2dkY-i1y6
Harsh, but fair