I’m a big fan of Kubernetes, and for larger projects the flexibility and power it brings is unrivalled. But for smaller projects, assuming equal levels of competence, delivery teams using managed Kubernetes are almost universally later and have more issues than teams that use simpler solutions. Container-as-a-service solutions like GCP CloudRun or AWS FarGate help somewhat, but are not cheap for a given amount of compute time.

Terraform (or IaC in general) absolutely has a place, because even if you use Kubernetes, most projects have more infrastructure to manage than just the cluster - at the very least, lemmy.world has a CloudFlare proxy to manage - and clicking buttons in a management portal is not a repeatable way of deploying that, or deploying the Kubernetes clusters themselves.

Ansible also has a place, particularly if you’re deploying onto bare metal. I wouldn’t use it for new deployments unless I had bare metal to configure and maintain, but lemmy.world is deployed onto a bare metal server as I understand it. Plus, the most effective tooling is generally the one your team understands.

I could well be wrong about the AAC passthrough, and I should have hedged that statement with “allegedly” as I’ve not tested it myself.

To your other point though, I disagree - there are plenty of ways you could pass through an unchanged AAC bitstream, but still mix in other sounds when required. For example, having the sender duck the original bitstream out temporarily and send a mixed replacement bitstream while the other sound is playing. Or (and this would only work if you control the firmware on the receiver, but if you’re using Apple headphones with an Apple device, that’s not a problem) sending multiple bitstreams to the receiver and letting the receiver mix them.

I can only comment on my experience with my own equipment and ears, but in my experience, 990Kbps LDAC is noticeably more transparent than 256Kbps AAC for Bluetooth audio.

I can fairly reliably guess whether or not I remembered to switch my Sony XM4s out of multipoint mode the last time I used them (when in multipoint pairing mode LDAC is not supported and 256Kbps AAC is usually what gets negotiated). The difference is small, but over a few minutes of listening, the sonic signature when it’s using AAC is just a little bit “off” and my ears don’t like it as much.

Could I ABX the difference using the usual ABX setup with short samples of music I’m not familiar with? Probably not. Can I tell the difference over an extended period using music I know well, and that I often listen to uncompressed? Yes, pretty easily.

LDAC is not a particularly sophisticated codec, but it doesn’t have to be when it has a 990Kbps bitrate. It’s also possible that the FDK-AAC codec that I think both Pipewire and Android use for real-time AAC encoding is not the best tuned for 256Kbps CBR. AIUI in 256Kbps CBR mode, FDK-AAC has a hard low-pass filter at 17KHz, and I can still hear above 17KHz.

Yeah, I agree.

I bought them for their noise cancelling primarily, and they’re excellent at that, but otherwise they’re not great. The un-EQed frequency response is terrible for headphones in their price range: flabby, wildly over-exaggerated bass and no mids at all. Running without EQ I can barely hear lyrics - every singer sounds like they’re mumbling underwater. I’ve had $20 IEMs with better tonal balance. They respond well to EQ but the on-board EQ doesn’t have enough frequency bands to even come close to fixing them. Wavelet on Android doing EQ duty makes them listenable. Even when you do EQ them properly, they still sound a bit dull and lifeless.

No idea how they got so much praise when they were launched. The power of marketing budgets I guess. For a while I was gaslighting myself thinking I had a faulty pair or maybe there was something going wrong with my hearing, but having heard another pair, and doing comparisons with my other headphones - most of which are far cheaper - I realised that no, they’re just not very good as headphones.

It is worse than uncompressed, but 990Kbps LDAC is the closest codec to totally transparent I’ve heard for Bluetooth audio. AptX HD is nearly as good to my ears, and is better than 660Kbps LDAC. The differences are very small though, especially when compared with the differences on the analog side, e.g. the amp, and particularly the headphone design.

Apple side-steps the problem by, at least when you’re listening to Apple Music, simply sending the AAC stream as-is to the headphones and has them decode the audio. I don’t know why that isn’t a more common approach.

I’m still somewhat bemused that we’re talking about Bluetooth codecs at all. It surely can’t be that difficult technically to get 1.5Mbps actual throughput on Bluetooth and simply send raw 16-bit/44.1Khz PCM. 2.4Ghz WiFi is capable of hundreds of times that speed. Bluetooth has been stuck at the same speeds for decades.

I have a Radsone ES100 Bluetooth DAC/headphone amp, and that supports LDAC, multipoint, and doesn’t compromise the LDAC bitrate when you have multipoint enabled. You can even leave it plugged in as a USB DAC and still use multipoint BT with LDAC, and it switches smoothly between the sources depending on which device started playing a stream most recently.

I was distinctly underwhelmed by the BT implementation when I got my Sony XM4s, it’s kinda weak by comparison.