Dad, architectural designer, former SMB sysadmin and still-current home-labber, sometimes sim-racing modder, enthusiastic everything-hobbyist. he/him.
For China specifically and at the present time this is true, but China is investing heavily into solar and other renewables that will shift its energy mix dramatically in the coming years. Not to mention that even now, it’s still a net benefit to centralize that fossil fuel consumption into plants that can burn it more efficiently and with better pollution controls than are feasible on cars.
It’s not strictly true that it didn’t mean anything, but I would say that it consisted of a couple weakly-defined and often mutually incompatible visions is what could be.
Meta thought they could sell people on the idea of spending hundreds of dollars on specialized hardware to allow them to do real life things, but in a shitty Miiverse alternate reality where every activity was monetized to help Zuck buy the rest of the Hawaiian archipelago for himself.
Cryptobros thought the Metaverse was going to be a decentralized hyper-capitalist utopia where they could live their best lives driving digital Lambos and banging their harem of fawning VR catgirl hotties after they all made their billions selling links to JPEGs of cartoon monkeys to each other.
Everybody else conflated the decentralized part of the cryptobros’ vision with the microtransactionalized walled garden of Meta’s implementation, and then either saw dollar signs and scrambled to get a grift going, or ran off to write think pieces about a wholly-imaginary utopia or dystopia they saw arising from that unholy amalgamation.
In reality, Meta couldn’t offer a compelling alternative to real life, and the cryptobros didn’t have the funds or talent to actually make their Snow Crash fever dream a reality, so for now the VR future remains firmly the domain of VRChat enthusiasts, hardcore flight simmers, and niche technical applications.
McCarthy needed Dem votes to maintain a hold on the speakership, but the concessions he would have needed to make in order to get them would have meant making himself incredibly vulnerable to a career-ending primary challenge. The political incentives don’t line up.
Xbox Live matchmaking was easy, sure, but before it became the norm on PC self-hosting servers was far more common, and there was something about the culture of a well-admined server that automatic matchmaking could never replicate – and in my opinion gaming as a whole is worse for losing that. Anonymous and unaccountable public lobbies give so much more leeway to assholes than you could get away with on a clan-hosted server.
All these companies that are suddenly having layoffs and/or enshittifying everything at once all shared the same basic business model (pardon the Bronze Age meme format from Slashdot…):
Years of basically free debt service and stupid VC money let them kick the can down the road for a long time in terms of figuring out what Step 3 was gonna be, up to the point that many such services didn’t even bother, replacing both Steps 3 and 4 with “Sell to whichever FAANG is sucker enough to think they can leverage our userbase for their own product.” High interest rates have suddenly put a stop to the money party, though, and now they’re all scrambling to find ways of aggressively monetizing their services.
When I read her thread, the first thing that came to mind was that in addition to whatever labor rights claims she could have, there’s a clear potential claim of promissory estoppel with regard to her move back to Canada and some of the statements made about how LMG would support her independent efforts.
About $500 of the ~$600 million they’ve raised is mine, dating from the original crowdfunding campaigns and the first year or two of development. I still check in every year or two to see if they’re any closer to having a complete game, and every time I do, I come away with the sense that they’ve put vastly more effort into developing and selling spaceship JPEGs than they have into making the game those spaceships are supposed to be used in.
I’m fairness, incomplete chunks is all that exists of Star Citizen.
Well, that and a whaling operation on the scale of Victorian England’s.
I’m willing to be surprised by it, but I’m not optimistic for Starfield. What I’ve seen of it so far looks mainly like they grafted chunks of No Man’s Sky onto a Bethesda Fallout game and are trying hard to pitch it as The Next Big Thing. Frankly, I’d much rather have the next mainline Elder Scrolls game instead, but at this rate I’m going to be 40 before I get to play a sequel to a game that came out in my 20s.
As always, the radical flank is perfectly happy to leave unimportant issues like “can we help people in small ways now even if helping them in the bigger ways we’d prefer isn’t achievable within the limits of our current democratic system?” And “how do we stop the right-wing fascist takeover of the country?” by the wayside order to focus on the far more critical problem of enforcing maximal ideological purity.
the kid that was tracking his jet
The kid that was reposting public flight tracking data of his jet. He’s so fucking petty.
On the contrary, I’ve long been of the opinion that anyone can claim their slice of the American Dream, just as long as they aren’t too picky about who they carve it out of. There doesn’t even need to be risk, per se, just some ambition, enough intelligence to know the limits of you can get away with, and a complete lack of shame.
You’ve already had a recommondation for most of what I would suggest to you, but I will happily second the suggestions for the Revelation Space series by Alastair Reynolds, the Teixcalaan series by Arkady Martine, and the Imperial Raadch/Ancillary series by Ann Leckie. All have excellent worldbuilding and tell stories that depend heavily upon how their characters interface with the worlds they inhabit.
A little pulpier in tone, but still very well put together, I’d suggest as well the Wayfarers series by Becky Chambers, and especially the Locked Tomb series by Tamsyn Muir. The latter is a bit more fantastic space opera as opposed to some of the harder sci-fi you’ve mentioned, but Muir knows how to write a setting that is absolutely dripping in gothic horror, and still take you on an emotional roller coaster fully of highs, lows, and humor as you read it. It seems to be a bit of a love-it-or-hate-it series from the other conversations I’ve had about it, but I love it and I’d be remiss not to suggest it.
I’d also suggest, if you’re not averse, dipping your toe into the fantasy genre as well. There’s a broad range of authors there who have done excellent work building fantasy worlds that are structurally deep and compelling, and have many science-fictional qualities. Along these lines I’d suggest Robert Jackson Bennett’s Founders trilogy, or N. K. Jemison’s Broken Earth trilogy – though, fair warning, both of these broke me in the end emotionally. Worth it, though!