DefederateLemmyMl

  • Gen𝕏
  • Engineer ⚙
  • Techie 💻
  • Linux user 🐧
  • Ukraine supporter 🇺🇦
  • Pro science 💉
  • Dutch speaker
  • 2 Posts
  • 378 Comments
Joined 11 months ago
cake
Cake day: August 8th, 2023

help-circle

  • First of all, there really isn’t all that much story to the original Doom. There are a couple of paragraphs in a readme.txt file tucked away in the installation folder, and an ending screen after each episode… but that’s basically it.

    As I understood it, Doom 2016 is a re-imagining of Doom, so the universes are not canonically linked. Kinda like how The Thing From Another World (1956), which takes place in Alaska, isn’t canonically linked with The Thing (1982) which takes place on Antarctica.


  • The original DOS version of Doom runs at 35fps, exactly half of the 70Hz refresh rate of 320x200 VGA mode. I thought it felt really smooth back in the day, but it does feel weird and stuttery on modern systems when played through Dosbox. I get used to it after a bit, but still.

    Fortunately as Doom is open source, there are many enhanced Doom ports that lift this 35fps limit and allow it to run on modern machines without emulation. I usually play in GZDoom which can run at the max refresh rate of my monitor (144Hz), so it feels silky smooth.










  • most PCs by that time had built-in MIDI synthesizers

    Built-in? You had AdLib cards for FM synthesis, but they were never built-in and most PCs didn’t even have them. Adlib cards used the Yamaha OPL2 or OPL3 chip.

    Along came Creative Labs with their AWE32, a synthesizer card that used wavetable synthesis instead of FM

    You are skipping a very important part here: cards that could output digital audio. The early Soundblaster cards were pioneers here (SB 1.0, SB 2.0, SB Pro, SB16). The SB16 for example was waaaaay more popular than the AWE32 ever was, even if it still used OPL3 based FM synth for music. It’s the reason why most soundcards in the 90s were “Soundblaster compatible”.

    Digital audio meant that you could have recorded digital sound effects in games. So when you fired the shotgun in Doom to kill demons, it would play actual sound effects of shotgun blasts and demon grunts instead of bleeps or something synthesized and it was awesome. This was the gamechanger that made soundcards popular, not wavetable.

    The wavetable cards I feel were more of a sideshow. They were interesting, and a nice upgrade, especially if you composed music. They never really took off though and they soon became obsolete as games switched from MIDI based audio to digital audio, for example Quake 1 already had its music on audio tracks on CD-ROM, making wavetable synthesis irrelevant.

    BTW, I also feel like you are selling FM synthesis short. The OPL chips kinda sucked for plain MIDI, especially with the Windows drivers, and they were never good at reproducing instrument sounds but if you knew how to program them and treated the chip as its own instrument rather than a tool to emulate real world instruments, they were capable of producing beautiful electronic music with a very typical sound signature. You should check out some of the adlib trackers, like AdTrack2 for some examples. Many games also had beautiful FM synthesized soundtracks, and I often preferred it over the AWE32 wavetable version (e.g. Doom, Descent, Dune)




  • if it’s good enough for the majority of historians

    It isn’t. Historians would love to have independent evidence of the existence and crucifixion of Jesus, but there isn’t… so most historians refrain from taking a position one way or the other. The ones that do have to make do with what little objective information they have, and the best they can come up with is: well because of this embarassing thing, it’s more likely that he did exist and was crucified than that he didn’t, because why would they make that up?

    That’s rather weak evidence, and far from “proof”.

    Not sure why you’d need more

    Well for one because the more prominent people who have studied this have a vested interest in wanting it to be true. For example, John P. Meier, who posited this criterion of embarassment that I outlined in my previous comment, isn’t really a historian but a catholic priest, professor of theology (not history) and a writer of books on the subject.